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So how did “Ravenous” survive this tumult to become such a delectable end-of-the-century treat? Within a beautiful case of life imitating artwork, the film’s cast mutinied against Raja Gosnell, leaving actor Robert Carlyle with a taste for blood as well as the toughness needed to insist that Fox seek the services of his Repeated collaborator Antonia Chicken to take over behind the camera.
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The movie begins with a handwritten letter from the family’s neighbors to social services, and goes on to chart the aftermath of the girls — who walk with limps and have barely learned to speak — being permitted to wander the streets and meet other children to the first time.
Well, despite that--this was certainly one of my fav Korean BL shorts and I Unquestionably loved the subtle and soft chemistry between the guys. They were just somehow perfect together, in a means I can't quite put my finger on.
Opulence on film can sometimes feel like artifice, a glittering layer that compensates for a lack of ideas. But in Zhang Yimou’s “Raise the Purple Lantern,” the utter decadence on the imagery is solely a delicious additional layer to some beautifully written, exquisitely performed and completely thrilling bit of work.
'Tis the season to stream movies until you feel the weary responsibilities on the world fade away and you finally feel whole again.
“He exists now only in my memory,” Rose said of Jack before sharing her story with Monthly bill Paxton (RIP) and his crew; through the time she reached the top of it, the late Mr. Dawson would be remembered via the cxnxx entire world. —DE
Sure, the Coens take almost fetishistic pleasure during the style tropes: Con man maneuvering, tough dude doublespeak, and a hero who plays the game better than anyone else, all of them wrapped into a gloriously serpentine plot. And nevertheless the very end of the film — which climaxes with one of several greatest last shots on the ’90s — reveals just how cold and empty that game has been for most on the characters involved.
Tarr has never been an overtly political filmmaker txxx (“Politics makes potnhub everything as well basic and primitive for me,” he told IndieWire in 2019, insisting that he was more interested in “social instability” and “poor people who never had a chance”), but revisiting the hypnotic “Sátántangó” now that Hungary is while in the thrall of another authoritarian leader reflects both the recursive arc of modern history, plus the full power of Tarr’s sinister parable.
An endlessly clever exploit from the public domain, “Shakespeare in Love” regrounds the most star-crossed love story ever told by inventing a host of (very) fictional details about its development that all stem from a single truth: Even the most immortal art is altogether human, and an item of all the passion and nonsense that comes with that.
This critically beloved drama was groundbreaking not only for its depiction of gay Black love but for presenting complex, layered Black characters whose struggles don’t revolve around White people and racism. Against all conceivable odds, it triumphed over the conventional Hollywood romance La La Land
The year Caitlyn Jenner came out as a trans woman, this Oscar-winning biopic about Einar Wegener, one of the first people to undergo gender-reassignment surgery, helped to more improve trans awareness and heighten visibility of the Group.
With ava addams his 3rd feature, the young Tarantino proved that he doesn’t need any gimmicks to tell a amazing bdms killer story, turning Elmore Leonard’s “Rum Punch” into a tight thriller anchored by a career-best performance from the legendary Pam Grier. While the film never tries to hide the fact that it owes as much to Tarantino’s love for Blaxploitation as it does to his affection for Leonard’s source novel, Grier’s nuanced performance allows her to show off a softer side that went criminally underused during her pimp-killing heyday.
Time seems to have stood still in this place with its black-and-white Tv set set and rotary phone, a couple of lonely pumpjacks groaning outside offering the only noise or movement for miles. (A “Make America Great Again” sticker about the back of the defeat-up auto is vaguely amusing but seems gratuitous, and it shakes us from the film’s foggy mood.)